Sacred Music for Woodwinds

This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at

Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in

"Joyful" is the best term to describe this animated woodwind quintet arrangement. All five parts are exciting to play, with prominent flute and horn parts. This work is an accessible and fresh take on the

A flute solo that begins with Flow Gently Sweet Afton acapella in the lower range of the flute, and is then joined with the piano. It is repeated up the octave with a more involved accompaniment.

In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same

Six arrangements for intermediate flute and piano that will add warmth and meaning to the Christmas season during any worship service or holiday performance. Titles include: Lo, How a Rose E'er

The tune is an English melody dating from the late sixteenth century. The Coventry Carol lyrics describe what is known in Matthew's biblical accounts as the 'slaughter of the innocents.' The

Away in a Manger is found in several unique musical settings. Among them, three are utilized in this medley: Cradle Song, Old Normandy Carol, and Mueller. Old

Taken from Piae Cantiones (1582), Divinum Mysterium is the name of the medieval chant melody which accompanies the hymn Of the Father's Love Begotten. Piae Cantiones is a

Do not let the slow start to this piece deceive you! Containing many contrasting sections, this work is a medley of O Come, O Come, Emmanuel (Veni Emmanuel); Of the Father's Love Begotten

Seven familiar hymns are tastefully arranged and edited for treble instrument and piano. These pieces may be played by flute, oboe, clarinet, or violin, with piano accompaniment. The part includes music for

This clarinet solo begins with a flowing piano part and then joined with the solo line in a gently embellished theme. The phrase structure is repeated and then goes into a more vigorous rendition and

This haunting and beloved melody is set here for six capable and sensitive players. Different moods are expressed, from the expanse of the open sky to the sovereignty of Jesus. Beautiful writing and an

In Dulco Jubilo translates into English as "In Sweet Rejoicing." This arrangement takes instruction not only from its title, but the folklore story of its creation as well. The tune is attributed

This second volume focuses on Advent, Christmas, Lent, and Easter, but some titles are suitable for general worship as well. Titles include: O Come, O Come, Emmanuel; Appalachian Carol; God Rest Ye

After a short introduction with melodic excerpts played in various voices, a verse of this famous carol is played. This moves to a wandering descant line before the grand finale.

Imagine the mood of an ancient people endlessly waiting for the appearance of a promised Messiah. In this setting, the score attempts to paint that sense of longing. Though the Veni Emmanuel tune was first

This delightful and musically sensitive arrangement of one of the oldest and most familiar Christmas carols is a welcome addition to the clarinet repertoire. Suitable to play in both concert and church

This is a collection of beautiful settings that span the entire church year. Contents are: A La Venue De Noel; Adeste Fideles; Divinum Mysterium; Es Ist Ein Rose; Greensleeves; Hanson Place;